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還有多少時間 可以用來相信
有一天 互補的兩個人能相遇
兩個人的遇見 完整了兩個生命
生活除了柴米油鹽醬醋茶之外
還有很多化學分子填滿空間
愛慕 欣賞 呵護 犧牲 堅定 信任 支持 包容
再加上小小的 忌妒 吃醋 任性 愛面子
讓每一天都豐富
想說話的時候 有聊不完的話題
沈靜的時候 一個眼神就很有默契
......

我到了該停止dreaming的時候了嗎
不能再有這些期待了嗎

麵包可以培養出感情 但不是愛情
在愛情與麵包的橇橇板上
每個人的抉擇都蘊藏不同的故事

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  • Jan 10 Thu 2008 10:41
  • 無涯

以為又提升到另外一個境界
回過頭來發現 還是太早下斷語
要學的事可還多著呢

不同行業 不同層級 不同年齡 不同性別
衍生出不同體驗 不同看事情的層面

也才明白 體貼是設身處地的替別人著想
以他的角度 明白他關心的人事物
了解他的痛處 避免觸及讓他揪心的絲弦
那是愛吧
是 家人 情人 朋友之間的憐惜
想要保護一個人 讓他快樂 無憂

單純 有的時候很傷人 很殘忍
最後也間接的讓自己受到傷害
曾經以為naive是種virtue
不明白 原來它也是一種無知
不知道自己用這樣的無知曾經傷害過多少人
一想就覺得非常愧疚 也感謝許多人一路走來的包容

leave the decision open for others
don't have the mind set

我還在學習 一直都學不完
人生沒有圓滿的一天 因為成長沒有底限

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  • Jan 06 Sun 2008 16:41
  • 迷惘

突然 我不知道我要的是什麼?
我以為我很清楚
至少 我曾經很清楚 對於我想要的 人生的雛形

不知道是小看了自己
還是高估了大環境
總覺得不太可能闖出一片天 以如此單薄平庸的能力

我想看看自己將來的樣子
如果我是一枚芥子 我希望知道它的去向
或許 就會淡化現在的徬徨

我能掌握什麼?
我能讓另一半從我這獲得什麼?
如果我離開了這個供給我養分的城市 我 還能依然盛開?
就像花朵離開了原生的豐郁土地 還能在別處綻放嗎?
別人欣賞的是我的本質 還是經過包裝後的我?
怎麼一切突然間 變得很不真實

我看不見未來的方向
很徬徨 很迷惘
我到底要什麼? 在做什麼?

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  • Dec 29 Sat 2007 16:40
  • 回顧

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文/張天寧

   《論語》中說:“四十而不惑。”指的是,人到了四十歲,遇事能明辨不疑。四十歲是男人既不老也不嫩的年齡,是老與少的風水嶺。

  四十,讓男人尷尬的年齡。許多該唱的歌還沒有唱完,許多要做的夢還沒有做。既不能裝嫩,又不能老氣橫秋,歷經風雨雪霜的摧殘,就像一朵熟透了的向日葵,莖拼命地支撐,但已經感到心虛氣短,花瓣也開始萎縮。

  四十歲的男人上有老下有小,背上的擔子沉甸甸。額頭爬上了紋脈,頭髮漸漸稀落,腰板微微彎曲;腿腳已不很靈活,不敢進醫院,唯恐有高血脂、高脂肪、高血壓,脂肪肝。因此四十歲以前以命博錢,四十歲以後拿錢買命。同窗同學的先走一步更讓人傷感震撼,悲喜之情由然而生,真所謂“耳畔頻聞故人死,眼前但見少年多”。

  四十歲男人的情感是一部汪洋,少了激情多了深沉。在成熟成功的背後,掩飾了太多的徬徨和無奈,憂鬱和嘆息,懂得柔情卻不張揚。愛和不愛,不能說出和不能流露的情感,成為苦澀的沉澱。四十歲的男人懂得如何欣賞女人呵護女人,把最偉岸的胸懷奉獻給女人最渴望的依偎裡;把最溫柔的手指梳理在女人最愜意的秀發間,給了女人在世上最厚重最魂牽夢繞的溫存。婚姻對於四十歲男人來說已無神秘可言,婚姻就是婚姻,可以沒有愛情,但卻有責任與義務。

  四十歲的男人告別了十歲的夢幻、二十歲的孟浪、三十歲的張揚。睿智、風趣、幽默、遇事不驚,不再存有困惑、慌亂和膽怯;眼神是堅毅的,步伐是穩健的,眉宇間多了從容,處世中多了些圓滑。靜觀風起雲湧,笑看花開花落。四十歲的男人華而不驕,麗而不傲,禪悟了人生的真諦,超脫避免許多尷尬。上對父母敬忠敬孝,下對子女盡職盡責。四十歲的男人已不再多夢,不再憤世嫉俗,豁達但不放縱。

  四十歲的男人好清靜。詩歌太迷惘,小說太誇張,歷史太沉重,娛樂太陌生。於是才明白了莊子老子,禪悟到長也是短,大也是小,凡事隨緣,順其自然,便不計一時得失,不爭一時榮辱。散文、隨筆、雜文、傳記便成了目光最親近的牽掛。在悠閒舒眉間書寫著駕定,在舉手投足間,展露別樣的倜儻,在風掀衣角的瀟灑中感受歲月的不惑。四十歲的男人如風雨雕琢過的山脈,綿長不絕地挺立在天地之間,更顯生命原色的底蘊。蒼翠欲滴的思想覆蓋著季節的蒼涼,日月的風塵濃縮成寬廣而偉岸的胸懷。  

  四十歲的男人對事業超乎於生命的珍惜,事業是立足之本,工作是精神寄託,白天的奔波是生存的姿態,夜晚的腳步是生命的延長,事業的成功是四十歲的男人頭上最亮麗的光環。

  四十歲的男人就像今夜裡的這場雪雨,有一點萎瑣、無奈、冷清,看著窗外的萬盞燈火,他明白即使走進燈光人海裡,也難以成為風景。故而四十年的磨煉造就了四十歲男人的從容、豁達;過濾了輕佻和浮躁,沉澱的是精華,醇厚而香濃。

http://bbs.chinacourt.org/index.php%3Fshowtopic%3D255073&sa=X&oi=translate&resnum=10&ct=result&prev=/search%3Fq%3D%25E5%259B%259B%25E5%258D%2581%25E6%25AD%25B2%25E7%2594%25B7%25E4%25BA%25BA%26start%3D40%26hl%3Den%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official%26sa%3DN

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前幾個禮拜 ㄧ直有著要present的壓力
雖然知道早點準備才不至於在緊要關頭感覺荒亂
但到現在 這都還是我持續努力的目標

對於這種非做不可但又提不起興致的棘手事情
我通常不去正視又試圖忽略它
然後 在最後一刻 我由衷的懺燬 立志絕對不再讓它發生
當然 每個人都知道 烏龜 立志 又變回烏龜 是ㄧ場永無止盡的輪迴

再過幾天 要去加州找朋友過感恩節
預計會開車到Reno, 過境Napa, Lake Tahoe等地再回LA
算算 總共有六天 是ㄧ趟奢侈的感恩度假
不知道星期四一早的JFK機場 會不會混亂到極點
希望不要又遇到嚴重的delay和林林總總的機車事件
唉 生活中的drama已經夠多了 度假的時候就讓我能夠真正的放鬆吧
話說回來 玩樂前 正事要先顧好
明天就任份的在周末加班, looking forward to Cali trip !

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The Cleveland Orchestra
Franz Welser-Möst, Music Director and Conductor
Malin Hartelius,Soprano
Bernarda Fink, Mezzo-Soprano
Westminster Symphonic Choir
Joe Miller, Conductor

Gustac Mahler (1860-1911)
Symphony No. 2 in C Minor, "Resurrection" (1888-94)

Stern Auditorium/Perelman Stage
Thu Oct 18 2007 8:00 PM
Second Tier Center Left
Section T3 Box 44 Seat 7
Web Student 10.00

特別喜歡
the first movement
在第16分30秒之後的violin
(或許有一天 大家可以告訴我是什麼樣的指法/弓法)
and the third movement
開場clarinet, stirng, oboe...

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Wolfgang Amadeus Mozart (1756-1791)
Quartet for Flute, Violin, Viola, and Cello in D Major, K. 285 (1777)
Jacques Zoon, Flute
Raphael Christ, Violin
Wolfram Christ, Viola
Iseut Chuat, Cello

Leos Janacek (1854-1928)
Mladi (1924)
Jacques Zoon, Flute
Diethelm Jonas, Oboe
Sabine Meyer, Clarinet
Reiner Wehle, Clarinet and Bass Clarinet
Guilhaume Santana, Bassoon
Bruno Schneider, Horn

Johannes Brahms (1833-1897)
String Sextet No. 2 in G Major, Op. 36 (1864-65)
Kolja Blacher, Violin
Latica Honda-Rosenberg, Violin
Wolfram Christ, Viola
Simone Jandl, Viola
Valentin Erben, Cello
Jens Peter Maintz, Cello

Zankel Hall Sun Oct 07 2007 7:30 PM
Section PB15 Box 15 Seat 11
Web Student 10.00

看到Sabine Meyer 好興奮喔
也很喜歡Guilhaume Santana

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Lorin Maazel, Conductor
Simon Trpčeski, Piano

Pyotr Ilyich Tchaikovsky (1840-1893)
Piano Concerto No. 1 (1875)
Symphony No. 1, Winter Dreams (1866; rev. 1875)


SIMON TRPČESKI, piano, born in 1979 Skopje, Macedonia
Simon Trpčeski has been thrilling audiences since he was 15 with smart and thoughtful performances of the repertoire from Bach to today’s composers. His ecstatic fans span the globe, from L.A. to London, from Kalamazoo to Kuala Lumpur to New York, where he made his Philharmonic debut in 2005 with Rachmaninoff’s famously knuckle-busting Third Piano Concerto. Listeners are amazed at his formidable technique. Growing up in a family that was musical, but not involved professionally, he was steeped in the folk music of his country; and today on most of his recital programs he includes a Macedonian piece composed for him. He began his piano studies when he was nine years old under the tutelage of a renowned Russian teacher. Now he has his own students in his studio at Skopje; “…it gives me a different pleasure from performing, because it adds a totally different dimension to what I do.” Though much sought after, he limits the number of concerts he gives each year because he believes in taking things slowly.
“I’m not rushing in my life. Everything will come in its own time and I don’t want to be under pressure,” he told Pianist Magazine. “Why rush? The music is there to enjoy. And I think about the music, not the music business.”

“At the age of 32, Alexander the Great had conquered the ancient world. At the age of 26, another young Macedonian, Simon Trpčeski, seems to be well on his way to conquering today’s classical music world.” Pianist Magazine

“A genuine wunderkind, Trpceski … is really a marvel: heart-stopping technique, and a sense of exhilaration and zest that keeps listeners near the edge of their seats all evening.” Seattle Times

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  • Sep 20 Thu 2007 20:00
  • Wicked

Gershwin Theatre
Thu Spe 20, 2007 8:00 PM

Rear Mezzanine Row J Seat 18
Student 41.25
with Sara

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New York Philharmonic
Lorin Maazel, Conductor
Yo-Yo Ma, Cello

Antonín Dvořák(1841-1904)
Carnival Overture (1891)
Cello Concerto (1895)
Symphony No. 7 (1885)

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Becoming Jane
Sat Aug 11, 2007 10:20PM

Kips Bay
Aud 13
with J.W.

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Nokia Theatre Times Square
Sat Aug 4, 2007 7PM

Mezzanine Seat Row J Seat 2
50.00 + 10.75
with J.W.

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Mostly Mozart Festival Orchestra
Louis Langrée, conductor
Paul Lewis, Piano (New York orchestral debut)
Alisa Weilerstein, Cello

Lincoln Center for the Performing Arts
Avery Fisher Hall

Mozart : Symphony No.36 in C major "Linz"
Beethoven : Piano Concerto No.5 in E-flat major "Emperor"
Golijov : Azul for Cello and Orchestra (New York premiere)

Wed, August 01, 2007 8:00 PM
Second Tier Door 20 Box 12 Seat 2
Student 10.00 + 1.50
with J.W.

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Ratatouille

Kips Bay
Fri Jul 20 2007, 9:55PM
Aud 13
with T.H.

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